#who knows! fun to think about

[cathalbravecog]

what do you think both societies would be like if toons and cogs finally make peace with each other and got along? (like with inklings and octolings from splatoon)

ohh!! interesting!! to be honest though, i know nothing about splatoon - but i can still work with this!

thing is, as the game is right now, peace really can't be made because it removes the main conflict that makes toontown, well, toontown - without it there's no gameplay. but imagining an au and a future where cogs and toons get along is interesting!

with my past headcanons i spoke of, i think it'd apply mostly to just toons from toontown and cogs inc or suitopia in general. i'll keep it as just toons of toontown and suitopia in general to keep things a bit easier to speak of since i did state i imagine suitopia as the one place where cogs are while toons are all over the place in different 'toontowns'.

in the case of ttcc (of course), i think it'd have to come with the defeat (or change of heart) for robert. probably not possible for the latter. cogs didn't know much about toons and stayed in their own place until robert and thomas started their company and basically invaded toontown.

i am not sure how that could happen - but i imagine if toons and cogs unite, perhaps they had to go against a third, bigger threat who's after them both. not all toons would agree to make peace with cogs, and not all cogs would be exactly thrilled to have to be friendly with toons -

but in the end it is better for the both of them. the cogs would have retract their invasions, polluting and taken over buildings. however, they don't have to worry about having to be repaired or have pies thrown at them due to a toon attack. that certainly saves some money - even if there's no in-come from all the other things cogs inc does.

cogs inc would probably disband completely, or turn into something else under new leadership because i highly doubt robert would agree with any of this. possibly thomas, since he's getting friendlier with the toons. (but then again, he still does regular cog stuff and doesn't stop anyone - just pointing out he isn't perfect and good himself either.)

but i imagine they could make a profit for having a place for cogs to travel to and relax in and have toontown as a tourist area. i am sure many cogs are curious about the toons and we know how tourists are. despite this being very controversial especially in relation how real life tourist attraction hot spots are (high living costs for natives living there, driving them away from their own homes), i can see this totally happening for toontown. not only that but the cogs and toons could even work together! but yeah it's to drive the point that the cogs are still cogs, they wanna make a profit. even if they're nice with the toons now

especially if they have a bigger threat now which could drive them to work together - because if everything's at peace there's just little to no story to tell.

i can see the cogs helping toons produce more gags to fight with - and perhaps helping with whatever goofy tech they may be building.

i feel like the toons and cogs would be on good terms but have conflict in a silly way - with the temperament of a lot of cogs they're still very serious and just want to get their work done - and not deal with a toon being silly and loud and annoying. still some looney tunes conflict, but in a more light-hearted, well meaning way. like, the war's over.

many toons would take time to adjust, and many would disagree with this. i can see this kind of like HTTYD, when the vikings first began befriending the dragons and inviting them into berk. they had to think of adjustments and how to live together to suit both sides.

on the other hand some cogs wouldn't be fans of this either - but in their case they can just quit, honestly. go somewhere else, find a different job. but that's okay because they're not being like sent to fight the toons now or anything. the cogs that are neutral or even happy about this would stay though.

like it'd take a looong time to adjust yknow? ive mostly been rambling about how they're FIRST getting used to each other without even knowing HOW and WHY it occurred in the first place. it'd need them to put their differences aside and see something they both want to fight for, or some other thing they share. issue is cogs and toons have MANY differences - they are supposed to be polar opposites in general if we don't think about individuals.

but again toontown is a cartoon and i think some big friendship unity COULD happen even if its less realistic. but yeah the first changes that cogs inc would have to be is to stop polluting shit and find different ways to make the company work. i'd say just turning the company place into a living area works since i already headcanon that cogs inc offers that, its basically its own smaller country for cogs outside of suitopia.

in the faaaaaaaaaaar future, things could be far different. it's just second nature that cogs and toons have peace now. perhaps the cogs learn to live simpler, more fun-filled lives. perhaps what the toons could do for the cogs is just go Fuck Capitalism and there's some reforming for suitopia? who knows! hard to imagine for the cogs who are all based on this. a hard question to answer 'coz it's like asking how to fix OUR real life society, LMFAO.

the cogs can learn that, despite them being robots made for work - there's more to life than that, they don't need to live according to their past like that. we don't even know where the cogs come from, but obviously someone had to have built them (even if i imagine cogs as part cartoon magic since they ARE alive they aren't 'JUST' robots)

the toons (of toontown) at least don't have to live in fear of the cogs invading anymore and they're possibly doing well from the new attention from the cogs AND other toons around the world. the toons can relax now, too, and focus on whatever fun hijinks they wanna get up to instead of strategizing and fighting off mean cogs. instead they can just, yknow, be chillin with them!

my brain's a bit scrambled now, i promise i had better comprehensive thoughts last night when i first read this ask so i'm sorta just blurting things out. hope y'all get what i mean!

i don't think it'd be impossible, with how many toons wanna be friends with the cogs (or lovers) (hell even family) with the cogs. but it'd be a hard feat to achieve considering how cogs are. But since many cogs just follow orders it'd need to be a change in how things are lead. (but some cogs would be more easier convinced, we already have some toon friendly/neutral cogs after all)

if i just think about this more and flesh out some of my tooniverse suitopia headcanons more, i think i'd have more comprehensive less repetetive and all over the place thoughts. but still, this is a fun thing to think about, and i'm sure it's something a lot of us cog fans would like to see in-game even just a little bit though it goes agains the whole point of the game. (but it's still in there! just within the realms of how the game works i suppose. looking at misty especially, she's the one who actively wants to befriend toons. then there's neutral cogs like cathal who doesn't even wanna fight. or chip. can't say much i haven't finished his fight yet. or hell, even high roller - they're neutral to cogs and toons - bringing them together on the show. then there's dave dave is something else okay)

but YEAH These are some long ass closing thoughts so lemme end this here since it's LONG. i just wanna explain myself my adhd is showing. TOODLES! i love your guys' asks, please do keep them coming!!

[badolmen]

People against piracy fail to realize that no, I can’t just ‘buy it.’ They stopped making DVDs and Blu-Rays. They’re barely offering digital copies for download. I am not spending money I could use for food or bills to pay for a subscription service just so I can always have access to a beloved piece of media. Especially not when the service will remove media on a whim without concern for how the loss of access to that piece will make its artistic conservation nigh impossible.

For example, I recently learned that Disney+ had an original film called Crater. It’s scifi, family friendly, and seems cool - I would love to buy it as a holiday gift for my little brother! But: it’s exclusive to D+ and THEY REMOVED IT LITERALLY MONTHS AFTER ITS RELEASE.

The ONLY way I can directly access this film is through piracy. The ONLY available ‘copies’ of this film are hosted on piracy websites. Disney will NEVER release it in theaters, or as something to buy, and it may NEVER return to the streaming service. It will be LOST because we aren’t allowed to purchase it for personal viewing. If I can’t pay to own it, I won’t pay for the privilege of losing it when corporate decides to put it in a vault.

So yes, I’m going to pirate and support piracy.

Edit: if you are able, use $5 you would otherwise use for a streaming subscription to donate to a GazaFunds campaign.

[akanemnon]

We didn't even get an answer, and we never will (at least it's not determination)

FIRST - PREVIOUS - NEXT

MASTERPOST (for the full series / FAQ / reference sheets)

[ryssbelle]

Drew a bunch of Marinettes in a bunch of different artists styles it was a lot of fun!!

Artists who's styles I mimicked: @buggachat @hamsternamedmarinette @ladybeug @sabertoothwalrus and @anna-scribbles all epic artists 🤟😎

[soldrawss]

Part 2 finally! Part 3 to come soonish,,,

You can find part 1 here!

[caruliaa]

staff still hasn't given me polls, what should i do?

🟪🟪🟪🟪🟪🟪🟪🟪🟪🟪 their moms 69%

🟪🟪🟪🟪🟪🟪🟪 their dads 31%

grace image os i get to look at her

[meamiki]

silly comic based on a time i struggled to read live on stream :thumbsup:

context clip compilation below ASDASDFASA

(cw for brief mention of hospitals/strokes)

[katabay]

ONCE UPON A TIME, THERE WAS A KNIGHT...

the visual inspiration for this was a combination of Frederic William Burton's Meeting on the Turret Stairs and also Bernardo Cavallino's The vision of St. Dominic receiving the Rosary from the Virgin

this was supposed to be just a one off illustration to get the thoughts out of my system, but then I started thinking about medieval politics and warfare and plagues and a castle and home as both a place of refuge, a prison, and a tomb, so perhaps they will end up as ex voto characters as well.

you may say, hey! that rosary looks like it has too many beads! it's a fifteen decade rosary, probably. dominicans are really into marian devotions. it works out.

also. spiral style stair cases. oh boy. it was that unexpectedly more difficult than I originally thought it would be to draw. the more I think about it, the less I understand them, even though I had a million photos of the stairs in front of me while I was drawing it.

⭐ I have a tip jar (ko-fi)!

⭐ and other places I’m at! bsky / pixiv / pillowfort /cohost / cara.app

[egophiliac]

so on the subject of the "Crowley is secretly Revaan/Laverne/Levin/please Twst give us his name" theory, I think my feelings are best summed up as "I don't really buy it, but it's funny". like, in all seriousness, I'm not opposed to it; I have enjoyed the writing in Twst so far and I'm willing to trust that whatever happens will, you know, make sense and not be terrible. but I'm just not really convinced by the current evidence! maybe that'll change once we learn more, we'll see!

with that said, may I propose a few alternate theories about the possible Crowley/Revaan connection:

[hychlorions]

a what-if i've been thinking about for forever... trucy knowing the truth before anyone could tell her

[turtleblogatlast]

I love Raph and haven’t said that enough so to be more specific I love that Raph is a soft boy who loves bear plushies, a gross boy who eats an assortment of things that are definitely better left alone, a smart boy who is more than capable of taking down villains through planning and fortitude alike, a strong boy who is dedicated to training his muscles and fighting prowess, a teenage boy who loves his brothers but is more than happy to tease and roughhouse with them, an angry boy who sometimes lets his anger take a hold of him to cover the fear, a gentle boy who is generous with hugs and affirmations to those he loves, a capable boy who takes on more than should ever be expected of a teenager, a good boy who just wants to be a hero and slowly comes to realize the cost of that duty, a good boy who has no reservations about putting himself in the way of harm coming to his family, a good boy who’s a great brother and son and person and deserves only the best the world has to offer.

[haunted-xander]

Who's the "real" me?

+ some references for the Rise-related things I included <3

[fridgrave2-0]

hehe ghost-turbo haunting felix au

turbo is connected to the last piece of his code in the whole arcade - a trophy he gifted to felix in mid 80s as a symbol of him genuinely caring about their relationships on par with being the best racer. felix also gave him one of his medals and both kept their gifts next to other rewards, but when roadblasters and turbotime were unplugged, the medal was gone with everything else

now, after burning in cola-lava turbo is basically dead, but scraps of his code still were intertwined with the trophy (after all, it was his first winner's cup, but felix never knew about it), giving turbo an opportunity to exist as a shadow incapable of interacting with anything and anyone besides felix, who kept the trophy even after the roadblasters incident

also I went crazy in tags, feel free to check them out

[starry-bi-sky]

Blood Blossom Au: Baby's First Commissioner Meeting :)

TL:DR This Post: Danny (orphan) gets poisoned with blood blossom extract by Vlad. He runs away from him and ends up under the care of one Pre-Robin Battinson Batman! Starry is loudly pushing her batdad agenda.

(Also known as "Late At Night, When The Nightingale Sings" on my ao3!)

This was a fun rough idea I've been sitting on for weeks, thinking about how Commissioner Gordon and Nightingale's first meeting might go.

---------------

Commissioner Gordon likes to think that he's adjusting to the new normal of Gotham very well, -- the new normal being grown men running around dressed like bats, in military-grade strength body armor, committing acts of vigilantism, -- and slowly, little by little, he was no longer being surprised when this new normal pops up out of the shadows like the world's most terrifying daisy. His shaving lifespan thanks him for it.

....

The kid is a surprise though.

Granted, he seemed to be a surprise to the Bat too.

There's been a string of murders lately, -- which, in Gotham, is kind of like saying there's been another storm during monsoon season. And there's just been another; in some dilapidated building down in south Gotham, with the broken, boarded-up windows and mildew-crawling walls to match. The victim is a man in his thirties, multiple gunshot wounds to the chest, left in the center of the room for the blood to pool out around him.

The place is already secured when he arrives, the building swarmed with officers and the forensic detectives. The Bat emerges shortly after he does -- or, he might've been here the whole time, hiding someplace dark and shadowy. For his own sanity, Gordon doesn't think about it too hard.

The kid is a surprise, and he appears like a bolt of lightning.

He shows up in the middle of a conversation Gordon is having with the Bat.

A whistle, sharp and loud, slicing through the air, meant for open air rather than a confined space. Gordon's ears pierce and protest the sound, and the solemn, murmured chatter floating through the room abruptly cuts off like the swing of a gavel. As he turns towards the sound -- as they all do -- he swears, up and down, that he sees Batman's shoulders jump, just slightly.

At the source, perched on the window, is a boy. A boy in a gray-blue scarf and an oversized black hoodie, one that hangs off his frame and has ace bandages wrapped around the wrists in some attempt to cinch the sleeves. The hood is up, big like the rest of it, and threatens to swallow the upper half of the boy's face whole in the fabric. What upper half Gordon can see, is smeared with some kind of opaque, black face paint. He's holding onto the side of the frame with one hand, on his hip is a grappling hook. A familiar grappling hook.

Gordon has multiple questions, and his officers tense up.

Martinez puffs up, brows furrowing as his face shapes into a frown. Shoulders rolling back. "You can't be here, kid--"

The reaction is immediate, like a spark to gunpowder, the boy yanks his fingers from his mouth and his mouth twists into a scowl. Head snapping over to Officer Martinez, his hood manages to stay on but Gordon swears that as he bares his teeth, the glint makes them look sharper than they should be. His voice is rasp and quiet and harsh; snappish in its hissing; "Put a fuckin sock in it, Martinez. I'm not stayin."

Martinez reels back, and the boy immediately veers his attention off him. Like a switch, his demeanor drops. Despite half his face being covered, his mouth twists into a cringing, apologetic smile. Slanted and off-beat, embarrassed. It'd be disarming if this wasn't Gotham, and if he didn't just hiss at Martinez like he was about to bite his head off.

"Sorry." He whispers, voice deceptively polite and softer now. Gordon has to strain his ears to hear him. "I was looking for him."

He points his finger towards-- Gordon? No, Gordon follows the direction, and finds himself looking at -- the Bat.

The Bat, who always looks stiff as a pole, now looks even stiffer. Somehow. Well, the explains the grappling hook attached to the boy's waist.

"What are you doing here?" The Bat says, gruff and unable to completely smother the stumble of surprise in his tone.

The boy still holds a sheepish smile, and slips off the window ledge. His feet hit the creaky boards with a near-silent thud, the Batman finds his feet and rapidly begins crossing the room.

Gordon notes the slight tremble in the boy's legs as he straightens. He adjusts his scarf, which droops close to his knees now that he's standing, and slings a backpack -- how long has had that? -- off his shoulders. When the Bat reaches his side, he does as he always does, and looms over the boy like a spectre. A threatening mass of shadows cloaked in all-consuming black. Standing next to him, the boy looks teeny in comparison.

The Bat is a man who terrifies even the most hardened criminals, Gordon has seen grown men shiver in fear at the mention of his name. And yet when the boy looks up at him, he doesn't even flinch.

Instead, his sheepish smile melts away like ice under the sun, holding only traces of his previous embarrassment. It remains as a shadow on his face, a small upturn at the corners of his mouth. The boy pushes his hood back just enough to reveal glinting, ice-flint eyes surrounded in tar-black face paint. He holds the backpack up with one arm. "You forgot this."

[thewanderingmask]

so yea

1-2 months of on and off effort later IT'S MY FIRST EVER HERMITCRAFT (by which i mean exclusively tango tek) ANIMATIC

IN WHICH A MAN TALKS ABOUT BINARY FOR ALMOST 3 MINUTES (it's based actually. and was really fun to animate)

[lightnersdream]

i've been thinking about exactly why people portraying one of the other crew members successfully killing Jimmy as a "for what you did to Anya" kind of thing rubs me the wrong way a bit and it's because like..... this is just another form of taking agency away from Anya, in a way. it's kind of framing her as some meek, shivery woman-thing who's entirely at the mercy of the men around her, either to hurt her or save her.

(i understand these are mostly for wish fulfillment on the audience's behalf because everyone would like to see Jimmy pay for his crimes. whether or not this is the intention of the person writing it isn't really relevant, characterization happens with or without intent. i feel like it misses the point by portraying it as an 'ideal ending'.)

because... Anya is a capable person. she takes things into her own hands when she can. it was partially(?) her idea to get into the cargo,

(before he interrupts her.. remember when she interrupted Curly in the dead pixel segment?)

it was her idea to get the code scanner from the cockpit,

it was her idea to get the medication from behind the foam.

(the chance to do these things herself is not given to her.)

she'd been keeping Curly alive for months in a critical state somehow, her psych evaluations at the start are only so useless because Jimmy refuses to take it/her seriously and Curly is obviously biased when he puts it into his own hands. he's known him a long time, like he said. "I'll just put good for that one."

there's not a lot of material to work with because of how the game is framed, but it's there. we are working with two very biased perspectives and neither one lends Anya what she deserves

there's significant changes in how she speaks post- and pre- crash, and depending on who she happens to be talking to. i recommend re-reading her dialogue, because the difference is drastic

she acts the way she does around Jimmy because he has tangibly done horrible things to her, is actively hostile, and physically could not escape him by any means. she can't take away Curly's agency herself, in my eyes. you have to remember that Especially in the post-crash segments of the game, it's entirely from Jimmy's POV, and he obviously does not (and has never) thought very highly of her or treated her with a shred of respect

i've seen a general idea that she can't bear to hurt other people for any reason, but that doesn't really track to me. this is the real point of the post by the way

it seems based on the parts where she says she struggles to give Curly medication. "It just hurts him so much, I can't stand the noise." "It makes me nauseous."

it's not really the same thing as, say, hurting someone in self defense

this sounds like she did want the gun itself. this never felt worded like someone who would refuse to, at very least, threaten Jimmy with a gun, with violence. if she had been given the agency to make that decision on her own. she wasn't though

she still tries to reclaim some of it even as she's denied it

by the end she's still trying to keep that gun out of his hands

i think some people overly soften her, for similar reasons the game itself is trying to comment on. she's not a tender victim who couldn't cause pain to another out of the softness of her soul, she's a person who's had every last bit of agency ripped from her repeatedly until she couldn't take it anymore. that's the point. that's why framing her that way, "needing" someone to save her, is odd to me

she didn't need Curly to save her, she needed him to take responsibility

she didn't want to escalate things, but she's not an idiot. self defense was absolutely on her mind

but who knows im just saying shit *smiles serenely*